Nikon ordered by judge to show Ahn Se-hong’s Korean ‘comfort women’ exhibit

Nikon ordered by judge to show Ahn Se-hong’s Korean ‘comfort women’ exhibit

The Tokyo District Court has ordered Nikon Corp., the Japanese camera maker, to open an exhibit by South Korean photographer Ahn Se-hong as was originally planned before the company cancelled it nearly a month ago. Se-hong’s exhibit on Korean ‘comfort women,’ who were drafted as sexual slaves by the Japanese army during their occupation of China prior to World War II, was originally to open on June 25th, but was cancelled by sponsor Nikon out of fear of controversy. The artist protested the injustice, and while Nikon has filed an appeal with the court, it does appear the exhibit will begin in Tokyo’s Shinjuku district on June 26th after all.

Takuya Moriguchi, a spokesman for Nikon, has stated that Nikon will comply with the judge’s orders, and they have no intention of disobeying. Ahn Se-hong’s show, titled “Layer by Layer: Korean women left behind in China who were comfort women of the Japanese military,” is currently scheduled to run through July 9th, but Moriguchi says that if Nikon convinces the court of its position, it will end the exhibit early. The Japanese company abruptly announced last month that they were canceling the exhibit, and although they wouldn’t explain their reasons, it was widely believed they wanted to escape the controversy around the event and gave in to pressure from conservative groups.

Ahn Se-hong, who himself didn’t even get an official explanation from Nikon, sued the company in order to force them to hold his exhibit. Judge Yasushi Itami, of the Tokyo District Court, announced his ruling on Friday. A document filed with the court from Nikon said that the exhibit was part of a political demonstration, and as it did not fit with the original mission of Nikon’s exhibit salon, they had a right to cancel the show. Judge Itami wrote in his ruling that despite having political ties, the exhibit still displayed the importance and development of photography culture.

[Via Wall Street Journal]
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  • Jenny

    I can understand the controversy about the nature of the exhibit, but putting that aside, as Nikon owns the place where the pictures were to be shown, don’t they have a right to decide what is displayed? Unless there was some kind of contract they and the artist agreed to, how could a court force them to show something?

    • http://japandailypress.com/ Adam Westlake

      Great question Jenny. I’m not sure about any kind of contract that was signed between Nikon and Ahn Se-hong, but the main issue was that Nikon didn’t give any kind of explanation to the artist, and when they argued their decision in court, they claimed the exhibit was cancelled because of its highly political nature, which the judge thought was inadequate. If Nikon had a justifiable reason for not wanting to show the exhibit, other than just trying to avoid controversy, then it wouldn’t have been overturned.

  • Shinya

    The controversy around the cancellation of the artist’s exhibit is understandable, but in regard to the larger issue about Korean ‘comfort women’, historians and researchers have never found any proof that women were forced by the Imperial Army into becoming slaves. The women who worked as prostitutes chose to do so, and there is even evidence that the forcing or kidnapping of women was outlawed by the Japanese army and enforced by the local police under their command.
    Information about this written by non-right wing extremist can be found here: http://ianfu.blogspot.jp/2007/06/ad-on-comfort-women.html

    • stanco55

      Yes, there’s also considerable evidence that the vast majority of Chinese wanted to be invaded, I mean occupied, errr… visited by the Imperial forces.